Royal Opera Chorus Orchestra of the Royal Opera House Royal Opera favourite Bryn Terfel heads the cast for this new production of Donizetti’s comedy of domestic drama across two generations. The witty story of a middle-aged man whose supposed young wife runs rings around him – with her own ulterior romantic purpose in mind – has long delighted and surprised audiences, not least as presented with the sparkle of its music and the virtuoso skill of its performers. Damiano Michieletto’s exhilarating production shows how contemporary the characters still are and how immediate and touching the story remains.

Manon’s story—from innocent country girl to celebrated courtesan to destitute prisoner—is one of the great tragic tales in literature and music. Lisette Oropesa stars as the irresistible title character, the tragic beauty who yearns for the finer things in life, in Laurent Pelly’s revealing production. Michael Fabiano is the besotted Chevalier des Grieux, whose desperate love for Manon proves their undoing. Maurizio Benini conducts Massenet’s sensual score.

RTÉ and Wexford Festival Opera are proud to present, for the first time, a live cinema screening of an Irish produced opera from one of the worlds leading opera festivals. The fairytale-like story takes place in the valley of Tempe in Greece. The opera tells of the obstacles to the blissful union of Dorilla (a princess) and Elmiro (a shepherd), whose rival Nomio turns out to be the disguised god Apollo. First performed in 1726 in Venice Vivaldi’s affection for Dorilla might be explained by its own, sheer success. He revisited and revised it a number of times and the work returned to Venice for the carnival season of 1734. The only surviving score (preserved in the Vivaldi archives in Turin) dates from this revival. The score also shows Vivaldi quoting himself, notably in the opening chorus, which reworks part of Spring from his celebrated Four Seasons (published shortly before the original 1726 production). But it is fitting how ‘Dell’aura al sussurrar’ heralds the arrival of spring since one of the themes of the opera is pastoral. Vivaldi labelled the work, unusually, as a melodramma eroico-pastorale – balancing the pastoral elements, the heroic is represented especially by the hunt that brings Act 2 to a close, complete with the requisite yet still exciting horn accompaniment – and the work’s hybrid nature extends to end-of-act ballets similar to the divertissements in French Baroque opera. RTÉ and Wexford Festival Opera will broadcast the sold out production of Dorilla in Tempe LIVE from the National Opera House on Saturday 2 November 2019 at 8pm.

Orchestra of the Royal Opera House From The Royal Ballet’s classical origins in the works of Marius Petipa, to the home-grown choreographers who put British ballet on the world stage, this mixed programme highlights the versatility of the Company. Petipa’s Raymonda Act III is Russian classical ballet summarized in one act, full of sparkle and precise technique, while Ashton’s Enigma Variations is quintessentially British in every way – from its score by Elgar and period designs by Julia Trevelyan Oman, to Ashton’s signature style, the essence of British ballet. Concerto, MacMillan’s fusion of classical technique with a contemporary mind, completes a programme that shows the breadth of The Royal Ballet’s heritage

Hui He stars as Cio-Cio-San, the devoted geisha who gives everything for the American naval officer Pinkerton, sung by Andrea Carè. Elizabeth DeShong is her devoted companion Suzuki, and Plácido Domingo adds another role to his remarkable repertoire, singing Sharpless for the first time. Pier Giorgio Morandi conducts Anthony Minghella’s beautiful, atmospheric production.

42nd Street, the legendary Broadway musical theatre classic, is a 'glorious' (★★★★★ Express) and 'utterly moreish extravaganza of glitz' (★★★★★ Times). Telling the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway, this is the largest ever staging of the Tony® Award-winning musical and it was filmed live at the magnificent Theatre Royal, Drury Lane, in the heart of London's West End. Fresh off the bus from small-town America Peggy is just another face in the chorus line on Broadway’s newest show. But when the leading lady gets injured, Peggy might just have the shot at stardom she's always dreamed of... Directed by the show author, Mark Bramble, this 'achingly beautiful revival of an American classic' (★★★★★ Telegraph) stars national treasure Bonnie Langford as Dorothy Brock, Tom Lister as Julian Marsh, Clare Halse as Peggy Sawyer and Philip Bertioli as Billy Lawlor, performing with a dazzling tap-dancing and show-stopping ensemble cast. Featuring iconic songs 42nd Street, We're In The Money, Lullaby Of Broadway, Shuffle Off To Buffalo, Dames and I Only Have Eyes For You, this is pure musical magic on the big screen – entertainment doesn't get bigger than this!

42nd Street, the legendary Broadway musical theatre classic, is a 'glorious' (★★★★★ Express) and 'utterly moreish extravaganza of glitz' (★★★★★ Times). Telling the story of Peggy Sawyer, a talented young performer with stars in her eyes who gets her big break on Broadway, this is the largest ever staging of the Tony® Award-winning musical and it was filmed live at the magnificent Theatre Royal, Drury Lane, in the heart of London's West End. Fresh off the bus from small-town America Peggy is just another face in the chorus line on Broadway’s newest show. But when the leading lady gets injured, Peggy might just have the shot at stardom she's always dreamed of... Directed by the show author, Mark Bramble, this 'achingly beautiful revival of an American classic' (★★★★★ Telegraph) stars national treasure Bonnie Langford as Dorothy Brock, Tom Lister as Julian Marsh, Clare Halse as Peggy Sawyer and Philip Bertioli as Billy Lawlor, performing with a dazzling tap-dancing and show-stopping ensemble cast. Featuring iconic songs 42nd Street, We're In The Money, Lullaby Of Broadway, Shuffle Off To Buffalo, Dames and I Only Have Eyes For You, this is pure musical magic on the big screen – entertainment doesn't get bigger than this!

Phelim McDermott, whose productions include the hugely successful Satyagraha by Philip Glass, returns to the Met with a new staging of Glass’s Akhnaten, conducted by Karen Kamensek in her Met debut. Anthony Roth Costanzo sings the title role of the Egyptian pharaoh who attempted to inspire his people to adopt a new religion, abandoning the worship of the old gods for that of a single deity. In her Met debut, J’Nai Bridges sings the role of Nefertiti, Akhnaten’s bride, and Dísella Lárusdóttir is Queen Tye, the pharaoh’s mother. One of the staging’s distinctive visual features is provided by the Gandini Juggling Company, whose movements are perfectly choreographed with the orchestral score. This production of Akhnaten was originally created by LA Opera, Improbable, and English National Opera, where it premiered, winning the 2017 Olivier Award for Best New Opera Production.

Orchestra of the Royal Opera House A classic returns to The Royal Ballet repertory with Ninette de Valois’ charming and funny Coppélia – a story of love, mischief and mechanical dolls. The intricate choreography is set to Delibes’ delightful score and shows off the technical precision and comedic timing of the whole Company. Osbert Lancaster’s designs bring a colourful storybook world to life in this Christmas treat for the whole family

André Rieu - 70 Years Young celebrates André's 70th birthday, looking back at this most spectacular performances throughout his career from all over the word - remastered exclusively for cinema audiences. This unique anniversary event will take audiences on an unbelievable journey around the world to André Rieu’s most amazing concert locations; such as Schönbrunn Vienna, Radio City Music Hall New York, Brazil, Mexico, the Coronation Concert in Amsterdam and Australia.

André Rieu - 70 Years Young celebrates André's 70th birthday, looking back at this most spectacular performances throughout his career from all over the word - remastered exclusively for cinema audiences. This unique anniversary event will take audiences on an unbelievable journey around the world to André Rieu’s most amazing concert locations; such as Schönbrunn Vienna, Radio City Music Hall New York, Brazil, Mexico, the Coronation Concert in Amsterdam and Australia.

Yannick Nézet-Séguin conducts William Kentridge’s new production of Alban Berg’s expressionistic masterpiece Wozzeck, regarded for its intense emotional power and brilliant score as one of the most significant operas of the 20th century. Composed during and in the aftermath of World War I, Berg’s dark exploration of a soldier besieged by the evils of society, is staged by Kentridge in a ramshackle warren of stairs, ramps, discarded furniture, and debris. His own theatrically animated charcoal drawings, along with other projected drawings, maps, and film clips, evoke a nightmarish world of crashed planes, searchlights, ghostly gas masks, and battlefields. Peter Mattei makes his role debut as Wozzeck opposite Elza van den Heever as Marie, the mother of his child. Singing the roles of Wozzeck’s tormentors are Christopher Ventris as the Drum-Major, Gerhard Siegel as the Captain, and Christian Van Horn as the Doctor. Andrew Staples makes his Met debut as Andres. Kentridge, who previously directed Berg’s Lulu and Shostakovich’s The Nose at the Met, unveiled the new production at the 2017 Salzburg Festival, where it received critical acclaim. Kentridge’s production is a co-production of the Met, Canadian Opera Company, Opera Australia, and Salzburg Festival.

This production of The Sleeping Beauty has been delighting audiences in Covent Garden since 1946. A classic of Russian ballet, it established The Royal Ballet both in its new home after World War II and as a world-class company. Sixty years later, in 2006, the original staging was revived, returning Oliver Messel’s wonderful designs and glittering costumes to the stage. Pyotr Il’yich Tchaikovsky’s enchanting score and Marius Petipa’s original choreography beautifully combine with sections created for The Royal Ballet by Frederick Ashton, Anthony Dowell and Christopher Wheeldon. This ballet is sure to cast its spell over anyone who sees it.

Puccini’s opera of young love in 19th-century Paris is packed with beautiful music, including lyrical arias, celebratory choruses for Act II’s evocation of Christmas Eve in the Latin Quarter and a poignant final scene over which the composer himself wept. Richard Jones’s character-led production perfectly captures La bohème’s mixture of comedy, romance and tragedy, with striking designs by Stewart Laing. The cast features some of the greatest interpreters of Puccini’s bohemian lovers performing today, as well as former members of The Royal Opera’s Jette Parker Young Artists Programme.

The Gershwins’ Porgy and Bess returns to the Met for the first time since 1990, in a new production directed by James Robinson in his company debut. America’s “folk opera,” as the 1935 creators described it, tells the story of disabled beggar Porgy, sung by Eric Owens, and his love for the drug-addicted Bess, portrayed by Angel Blue. David Robertson conducts a stellar cast that also includes Donovan Singletary as fisherman Jake, Golda Schultz as his wife Clara, Latonia Moore as the bereaved widow Serena, Frederick Ballentine as drug dealer Sportin’ Life, Alfred Walker as the brutal stevedore Crown, and Denyce Graves as Maria, town matriarch and operator of the local cook-shop. Infused with the timeless melodies of the much-loved classics “Summertime,” “It Ain’t Necessarily So,” “Bess, You Is My Woman Now,” “I Got Plenty o’ Nuttin,” and “My Man’s Gone Now,” the new co-production with English National Opera and Dutch National Opera was hailed as a triumph at its premiere in London earlier this year.

Choreographer Cathy Marston is previously an Associate Artist of the Royal Opera House and Director of Bern Ballett, and much in demand internationally. The inspiration for her first work for The Royal Ballet Main Stage is the momentous life and career of the cellist Jacqueline du Pré. A new work by Liam Scarlett, The Royal Ballet’s Artist in Residence, provides the second part of the programme.

In the Met’s first-ever performances of Agrippina, Handel’s satire of sex and power politics, Sir David McVicar reconceives a production he originally created for the Monnaie in Brussels in 2000, evoking a scandalous world in which the Roman Empire never fell but simply kept going right up to the present. Holding a distorted mirror to contemporary society (as Handel did when he staged this opera), the production presents the corrupt intrigues of the political classes, brought to life by Joyce DiDonato as the power-hungry empress Agrippina, Brenda Rae as the scheming, seductive Poppea, and Kate Lindsey as the feckless teenager Nerone. Iestyn Davies portrays the ambitious officer Ottone, and Matthew Rose is the emperor Claudius, on whose vacated throne Agrippina is determined to install her son. Renowned for his interpretations of the Baroque repertoire, Harry Bicket conducts.

François Girard, whose mystical, blood-drenched vision for Wagner’s Parsifal became one of the Met’s most intensely visceral highlights in recent seasons, turns to another Wagnerian masterpiece, Der Fliegende Holländer, conducted by Valery Gergiev. For the first time at the Met, Sir Bryn Terfel sings the role of the mysterious Dutchman, condemned to roam the seas for eternity, with Anja Kampe as the devoted Senta, whose love can set him free. In a nod to Senta’s obsession with a portrait of the legendary title seafarer, the Met stage is transformed into a colossal oil painting. Franz-Josef Selig portrays Senta’s father Daland, Sergey Skorokhodov takes on the role of the huntsman Erik, David Portillo sings the Steersman, and Mihoko Fujimura is Senta’s nurse Mary. Der Fliegende Holländer is a co-production with L’Opéra de Québec and Dutch National Opera, Amsterdam.

Royal Opera Chorus Orchestra of the Royal Opera House Beethoven’s only opera is a masterpiece, an uplifting story of risk and triumph. In this new production, conducted by Antonio Pappano, Jonas Kaufmann plays the political prisoner Florestan, and Lise Davidsen his wife Leonore (disguised as ‘Fidelio’) who daringly sets out to rescue him. Set in strong counterpoint are the ingredients of domestic intrigue, determined love and the cruelty of an oppressive regime. The music is transcendent throughout and includes the famous Act I Quartet, the Prisoners’ Chorus and Florestan’s impassioned Act II cry in the darkness and vision of hope. Tobias Kratzer’s new staging brings together the dark reality of the French Revolutionary ‘Terror’ and our own time to illuminate Fidelio’s inspiring message of shared humanity.

Sir David McVicar’s bold staging of Puccini’s operatic thriller returns to the Live in HD series after its acclaimed broadcast in 2017. This time, star soprano Anna Netrebko is the passionate title diva, opposite Brian Jagde as her lover, the idealistic painter Mario Cavaradossi. Michael Volle is the menacing Baron Scarpia, the evil chief of police. Bertrand de Billy conducts the electrifying score, which features some of Puccini’s most memorable melodies.

Two opera classics are drawn together in this wonderfully observed re-creation of life in a south Italian village as a travelling theatre visits and emotions erupt. The award-winning production by Damiano Michieletto presents vividly the fast-moving, shocking events brought about by secret love and uncontrollable jealousy. The music is full of Italianate melody in the great choruses that bring the villagers together in celebration and revelry, alongside the solo arias and tense confrontations that provoke violence and tragedy. With thrilling singing and intense drama, ‘Cav and Pag’ distils into one wonderful night out, the enduring appeal of Italian opera in its most familiar form.

Donizetti’s drama, focused on the political and personal rivalry between two queens, returns to the Met with Diana Damrau as the doomed Mary, Queen of Scots, and Jamie Barton as her rival, Queen Elizabeth I. Stephen Costello sings the role of Mary’s lover, Leicester; Andrzej Filończyk is the chancellor Cecil; and Michele Pertusi sings the Earl Talbot. Maurizio Benini conducts Sir David McVicar’s sweeping production.

Dante’s Divine Comedy is an epic journey through the afterlife: it encompasses the horrifying drama of Inferno and its damned, the lyrical mysticism of pilgrims on mount Purgatorio and the dazzling spheres of Paradiso with their endless configurations of light. The poem was inspired by the agony of Dante’s own exile, and traces his path from crisis to revelation guided by his literary hero Virgil and his lost love Beatrice. In this new work, The Royal Ballet’s trailblazing Resident Choreographer Wayne McGregor collaborates with an award-winning team – contemporary composer Thomas Adès, artist Tacita Dean, lighting designer Lucy Carter and dramaturg Uzma Hameed – to bring us closer to Dante and his extraordinary vision.

Royal Opera Chorus Orchestra of the Royal Opera House Strauss’s thrilling and audacious adaptation of Greek tragedy receives a new staging by the award-winning director Christof Loy. This uncompromising opera, about a daughter intent on bloody revenge and a mother driven to madness, has provoked critics to lively debate and both shocked and excited audiences since its 1909 premiere. Antonio Pappano conducts music that combines violence with moments of exquisite tenderness in his first Strauss interpretation for The Royal Opera since 2002. The outstanding cast includes Nina Stemme (Brünnhilde in last Season’s Der Ring des Nibelungen) in the title role, and Karita Mattila in her role debut as the haunted queen Klytämnestra.